Thesis
Alon Livné / Editorial
Fashion Editorial / AI Image-Making & Motion
01
Servant Angels
Servant Angels develops the swan motif into a more personal, romantic visual direction. Soft white drapery and sculptural folds meet the black swan, creating tension between light and dark, delicacy and drama. The motif extends into the headpiece and motion piece, where the swan emerges as a distinct presence within the bridal silhouette.
AI-assistedImage-MakingMotion StudyFabric Design
An exploration of bridal romance through sculptural drapery, soft volume and swan-inspired forms. Dreamlike and nostalgic,
the imagery balances the delicacy of white fabric with precise silhouettes and a quietly dramatic presence. For the motion study,
I adapted Alon Livné’s classic bridal language through my own visual vocabulary, introducing organic, metallic forms.
I imagined these elements becoming part of the clean, romantic silhouettes, adding a more sculptural and unexpected layer.
Mar 2026www.https://alonlivne.com/exocet/
02
Exotec
In this line I Explored the tension between cold metal and warm skin.
Using AI-model imagery I extended the collection’s sculptural elements into raw, fluid forms that grow organically across the body, blurring the line between adornment and garment.
- Rigid chrome
- Metal in transition
- Liquid metal
- Cold metal × warm skin
We explored how to extend the material language of EXOCET.
Using AI and motion, I reimagined its sharp, rigid metallic forms as something softer and fluid shifting between fabric, metal and an undefined material as it moves across the body.
03
Black Swan x
White Swan
In this series, I explored the tension between the white swan’s pristine elegance and the black swan’s darker, more aggressive presence. I introduced black fabric into the sculptural gown, letting it move through the white silhouette as though the darker side
were taking over.
- Sculptural white
- Black intrusion
- Fabric in motion
- Beauty in conflict